Trevor Abes

Professional Writer and Fiction Editor

Why Kids Hate Reading: An Addict’s Perspective

From Huffington Post Canada

Photo by Ozyman.

Photo by Ozyman.

I was lucky. By the time school had started requiring us to read this or that novel, I had long been hooked on reading for purely leisurely enjoyment. As a child who was clearly not born to play a sport in the big leagues (thanks mom and dad) and whose permitted television stations were limited to shows on PBS, I quickly adopted reading as my diversion of choice. I tore through books with an uncharacteristic tenacity and considered myself a master speed-reader by third grade. I loved (and still do) that I could create worlds and characters in my own head that were unconstrained by the whims, opinions, and perspectives of Hollywood. Through this, I could transport myself into stories that felt exponentially more real than anything a flat screen could hope to compete with.

During particularly boring stretches of my education, I would find myself reading about a book a day. Unlike most parents who try and force their kids to read, mine were so sick of my habits that they took to hiding books in household appliances to keep me from reading too much. I consider my pleasure-reading streak, which lasted up until about 10th grade, to be by far the greatest educational experience of my life. I gained a more solid foundation in history, science, economics, English, philosophy, and just about everything through reading outside of the classroom then I ever did in school.

It is thus not surprising that, after the incredibly enjoyable self-selected reading I had been doing on my own for years, I detested a large majority of the reading required of me by the California public school system. I speak for most of my classmates when I say that just the thought of Island of the Blue Dolphins, Boy of the Painted Cave, Huckleberry Finn, and virtually every other in-class-novel that I was forced to read still gives me the chills. The only upside to in-class reading was that I was able read whatever far superior book I was reading for fun under the façade of required reading. If school had been my first foray into literature, I can safely say that I would not be a “reader” as I consider myself today. My own experiences have led me to the conclusion that the strictness in school literature requirements and lack of breadth and in permitted genres to choose from for said requirement is one of the biggest problems with education in America. Nevertheless, I believe that this problem is also easily fixed.

Read the rest here: Why Kids Hate Reading: An Addict’s Perspective.

Pencil and Ink: Fallacy of an Atheist Superhero

From The Toronto Standard

Thor and Beast

Thor standing next to the blue Beast.

In a world pervaded with paranormal menace, and gratified by caped superhumans, how could a Marvel superhero conceivably remain an atheist? Well according to the popular comic series ‘All-New X-Men’, bewhiskered superhero and famed medical genius Hank ‘Beast’ McCoy is a steadfast, unshakable, puts-the-hair-in-Sam-Harris secularist.  

Following March’s publication of All-New X-Men #5 (where Hank divulges his disbelief), many readers were indignant at this fallacious development in McCoy’s character.

“It’s complete nonsense,” wrote Rich Johnston of Bleeding Cool, “Not for anyone reading the book, but for anyone living in the Marvel Universe. This is a man who has served on the Avengers with Thor, God Of Thunder.” 

A genetic researcher and evolutionist, atheism seems a befitting trait for the uber-cerebral Hank ‘Beast’ McCoy. However, considering his encounters with alternate dimensions, battles with supernatural entities, and proximity to actual Nordic gods, Beast’s revelation rings illogic like a Hitch Catch-22. How could Hank McCoy, a scientist, reject the haptic proof of divinity when it is literally standing next to him holding a hammer?

Read the rest here: Pencil and Ink: Fallacy of an Atheist Superhero.

Diego Alexander Vélez Quiroz: Elizabeth y las manzanas

A close friend of mine just released his first book of poetry.

Purchase it here.

Dieg0 Velez-Elizabeth y las manzanas

Fascinated

I borrowed my first W.C. Handy from

My local library before the age

Of 25

.

He played with Old Satch

And Velma Middleton sang

The St. Louis Blues like

The arch had been a valentine

. 

There are people

I am one of them

For the most part

Desirous and kind

Record Store Roundup: She Said Boom! Roncesvalles

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From the Toronto Review of Books

She Said Boom! takes its indelible name from the first song on Toronto post-punk band Fifth Column’s All-Time Queen of the World. It has two locations (393 Roncesvalles Ave and 372 College St), under separate but amicable ownership, that serve two very different communities. The College store is close to Kensington Market and the University of Toronto so it caters to younger customers, mostly college students, while the Roncesvalles store gets more young families and people from Parkdale.

The storefront sign at She Said Boom! Roncesvalles is proof that written explosions are just as eye-catching as hot ones. Open since 1999, it’s one of the first businesses in Toronto to sell both books and music. “The reason was largely accidental,” says owner John Bowker. “I wanted to open a record store, and my partner wanted to open up a book store, and neither of us were able to pay the rent on a full store by ourselves. I remember wondering whether people would be willing to shop for books in a store where loudish, non-classical music was playing. Turns out, books and music worked very well together. And so obviously Chapters and Indigo stole our idea. Now Indigo sells candles.”

Read the rest here: Portrait of a Record Store: She Said Boom! Roncesvalles.

With Imprints and Tie-Ins, Street Lit Is Gaining Muscle

209907379_d8854b92f9From the New York Times

He tells stories of the street in hip-hop songs. Now he’s putting them down on paper in a different genre: the novella.

Albert Johnson, better known as Prodigy, and a member of the hip-hop duo Mobb Deep, plans to release a book titled “H.N.I.C.” in July through the Brooklyn-based independent publisher Akashic Books, known for the best-selling “Go the Fuck to Sleep,” a profane children’s book parody.

But more significantly, the novella will be the first offering of Infamous Books, a new imprint overseen by Mr. Johnson and his manager, Marvis Johnson. (They are not related.) The imprint will specialize in novellas by established urban crime writers, like JaQuavis Coleman,K’wan Foye and Miasha.

“It’s a perfect imprint for the way the book industry is suffering,” Johnny Temple, the publisher and editor of Akashic, said recently. “It will bring in new audiences. I see this as crime fiction, and there are not many black crime fiction writers beyond Walter Mosley and the late Chester Himes. Akashic is a literary publishing house, and we’re in a perfect position to crossover books like this and to say, ‘Don’t let the hip-hop aesthetics scare you off.’ ”

Mr. Johnson is the latest entry into the ranks of rap world figures with imprints, from 50 Cent to the rap impresario brothers Ronald and Bryan Williams. The works often fall into the street-lit genre, stories that are set in a gritty landscape populated by thuggish men, devious women and dysfunctional families and are often drenched in violence. There is also a strand known as urban fiction, lighter on the violence and dysfunction. Many of these works are morality tales stressing loyalty to family and friends; some are simply gangster stories.

Akashic has published urban fiction before but tends to focus more on literary fiction and political nonfiction. It is perhaps best known for a series of “noir” short-story collections set in cities across the world, turned out by editors and writers like Edwidge Danticat and Dennis Lehane.

Mr. Johnson, a 38-year-old ninth-grade dropout who grew up in the LeFrak City housing development in Queens and still lives in the borough, had previously written an autobiography, “My Infamous Life” (Touchstone), published in 2011. The autobiography’s title and that of the new imprint were borrowed from Mr. Johnson’s Infamous Record label. Head Nigga in Charge, or “H.N.I.C,” an abbreviation of a mocking slang expression (not publishable in The New York Times, but completely publishable on trevorabes.com) for a black person in power, especially if the power is illusory, was also the title of his 2000 gold solo debut album.

The publication of “H.N.I.C.” was timed around the June release of Mr. Johnson’s solo album “Albert Einstein” and a current tour with Havoc, his partner in Mobb Deep.

Read the rest here: With Imprints and Tie-Ins, Street Lit is Gaining Muscle.

Why the “Death of the Book” is a Dead Subject

Photo by Celeste RC.

Photo by Celeste RC.

From Huffington Post Canada.

With newspapers slashing their books coverage over the past decade, the once-ubiquitous mega-chain Borders dying an agonizing death, and pundits wringing their hands over the decline of reading, we could be forgiven for thinking that American literary culture–that community of readers, libraries, and booksellers that has flourished in one form or another since the introduction of cheap mass printing in the 1840s–has been dying as well.

Talk of the end of books is simply another example of the gulf between the need for pundits to have an impending seismic change to laud or bemoan and the reality experienced by most of us. It was in 1992, in The New York Times, that Robert Coover declared the end of books. That cry has been echoed repeatedly by Luddites, nostalgists, and techno-utopians over the past 21 years, all with an earnestness suggesting that none of them have heard of (let alone read) “The Boy Who Cried Wolf.” And it’s important to bear in mind that the people who declare books dead are often really talking about the paper codex, the collection of bound sheets of paper that has been the preferred format for publishing books for the past 1400 years. Apparently many of these people believe that the ubiquity of books in electronic format will kill serious reading, in spite of the fact that they’re still…books.

Despite all these cries of alarm, the facts are encouraging. The number of independent bookstores in the U.S. has grown over the past three years. For the first quarter of 2013, book sales were up 2.2%, bringing the total amount Americans have spent on books this year to over $4.03 billion.

Read the rest here: Why the “Death of the Book” is a Dead Subject.

Jazz, Journalists, bpNichol, and the roaring 1920s: T.O. Events for June 6-June 20, 2013

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Chuck Klosterman. Photo by Collapse the Light.

From the Toronto Review of Books.

Coach House Books is celebrating the release of a new collection by bpNichol, entitled a book of variationslove-zygal-art facts. The night will be hosted by the book’s editor, Stephen Voyce, and features readings by Margaret Christakos (What StirsMultitudes) and Paul Dutton (Aurealities), plus a short-film screening by Justin Stephenson. 7PM. June 6. No One Writes to the Colonel. Free.

Renowned bookseller David Mason launches his memoir, The Pope’s Bookbinder (Biblioasis), in which he shares his unvarnished opinions about his trade. Mason’s devotion to literature began with bathtub reading sessions at age 11, followed him to Paris as a young man, and even brought him a bit of gilding work for Pope John XXIII. 7PM. June 6. Ben McNally Books. Free.

Book Summit 2013 is Woodstock for book professionals. On the bill are workshops, interviews, conferences, and talks by leading authors and publishers about pressing industry topics like e-books and young adult fiction. Chuck Klosterman (Fargo Rock City) is this year’s keynote speaker. 8:00AM. June 20. Fleck Dance Theatre. $92.75-$166.25.

NXNE ART screens a selection of paintings, clips, and visual poetry every 10 minutes on TTC Subway platform screens. Among the themes explored are urbanity, war, and the inbetweenness of domesticity and the wild. June 10-16. Free.

The Griffin Poetry Prize Shortlist Reading features poetry performed by Brenda Shaughnessy (Our Andromeda), Jennifer Maiden (Liquid Nitrogen), James Pollock (Sailing to Babylon), and more. 7:30PM. June 12. Koerner Hall. $10-$33.

Heritage Toronto is leading a guided walk entitled Journalists and Editors in 19th Century Toronto. Explore the city’s journalistic past of friendships and foes from 1826 to 1892 spearheaded by Toronto’s first mayor William Lyon Mackenzie. 10:00AM. June 15. 160 Frederick Street. Donations.

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Nikki Yanofsky. Photo by Barry Harris.

Toronto’s Downton Abbey is a guided tour of Spadina Museum. It provides insight into the lives of servants, cooks, counts, and countesses in the lavish 1920s. Thursdays at 7:30PM and Saturdays at 2:30PM. Reservations recommended: 416-392-6910. Regular Admission.

This summer’s Toronto Jazz Festival boasts a lauded group of headliners that touch on every point of the jazz-blues spectrum. Returning favorites include Trombone Shorty and Montreal’s Nikki Yanofsky. The Robert Glasper Experiment plays a special intimate set at The Horseshoe Tavern. June 20-29. Various Venues. Some events free, $ varies by concert.

Luminato 2013 is a multidisciplinary festival formed to stoke Toronto’s creativity. Craftspeople of literature (Sam Sutherland), theatre (Marina Abramovic), music (Joni Mitchell, Serena Ryder), dance, magic, and the visual arts all set up shop in the city to share the lives their passions gave them. June 14-23. Various Venues. Most events free.

As part of Dundas West Fest, the print culture champions at The Monkey’s Paw are holding their inaugural Collage Fest, a competition to create pieces of original art from books, magazines, and pamphlets that would otherwise be recycled and forgotten. 11AM-5PM. June 8. The Monkey’s Paw. All materials free.  

The Kingdom of Howard is Within You

Howard

The holes in Swiss cheese are called eyes.

                                                                     –Trevor

There was once a world born in darkness on a block of Swiss cheese packaged for shipping to a grocery store in Toronto.

This world was called Howard, and its people, whether secretly or not, shared a view of the universe that could only be called Howardcentric; less than three Earth hours old, it occupied the area of roughly one grain of barley.

Families on Howard took it upon themselves to supplement their children’s predominantly dairy-based diet with gulps of air hastily inhaled from a tiny hole in the plastic packaging enveloping them. The main trade was eye-jumping. The main form of exercise was eye-climbing. The only method of waste management, eye-chucking, would one day prove lethal to the careless bachelor who tucked the block under his shirt before bolting down the milk isle and out the store’s automatic doors.   

The Green Fuzz Oracle lived by the hole since anyone could remember and managed the air supply with a thinly veiled dictatorial demeanor. Sometimes he asked for dances, sometimes the shoes off people’s feet, and sometimes he asked for sacrifices, most of which he would rescind at the last moment because he figured that is what an Oracle should do to prove his authority.

 He kept the opening clean of mold, and thus ensured that the air was safe to eat, by wearing the mold as a second skin and consuming it to achieve communion with the rumbling God outside the cheese-tinged plastic.

It was The Oracle who first proposed the name Howard as a gentle-sounding greeting to appease the God. He said it frequently and heard it in various forms during his fungus-induced trances.

Howard? H-Howard…Howard!

So much so that The Oracle knew the name had to stand for everyone, everywhere, and everything.

And when the rumbling periodically stopped as the transport truck came to a red light or weighing station, he never missed an opportunity to publicly remind Howardeans of their devotional duty.

A handful of exits away from the grocer’s off Highway 401 a young woman approached The Oracle and requested a meal. She was naked, thin and white, a canvas for the blue veins twirling about her body. She knelt before him. Her hands she cupped and stretched outward and her mouth she opened wide with the abandon of a believer in line for a wafer.

Seeing that she had nothing material to offer, The Oracle waved her over to get a better look. She dragged her knees across the smooth, white surface. The Oracle leant forward and looked into the girl’s eyes finding them the same green as his living clothing; for this reason, and for this reason alone, he shifted aside and allowed her passage.

The girl’s lips surrounded the breezy gap like a suction cup and she inhaled ferociously with the kind of greed only the starving are permitted. Then, a metallic rustle birthed a wave of light that brought with it widespread blindness.

Howard was, and he was good.

The Rob Ford Conundrum

Believers in Democracy like to defend the idea that if a politician is voted into office, you have to live with his-her mandate until he-her steps down or the next person is voted in, whichever happens first.

This is an old, crusty notion. The people make mistakes. 

Suppose you have to take a bus to get to school or work, and you arrive at the terminal for the first time unaware that there are multiple buses that will get you where you need to go. One of them is an express route, while the other makes frequent stops and is apt for people with more time in their day.

You step onto the slower bus and keep taking it for years. It gets you there on time, and that’s all that matters; that is, until a friend at the office, or an acquaintance eating lunch next to you in the cafeteria informs you that your current hour-long commute could be cut down to an even 45 minutes.

All you have to do is get on a different bus.

“What is it called?” you ask.

“I don’t know,” he says, “but it’s faster, more efficient.”

“How do I find it, then?”

“You don’t. You make it happen.”

Rob Ford Remove Me

 

#GetTheFordOutOfDodge.

Stan Rogal’s Brautiganesqe

From The Toronto Review of Books

“That’s why I forgot the bottle this morning because the Japanese squid fishermen are asleep and I was thinking about them being asleep.”

-Richard Brautigan, The Tokyo-Montana Express.

COVER_STAN_ROGAL_Dec3One of the first books I read by the late American writer Richard Brautigan was the poetry collection June 30, June 30 (1976), composed as a direct result of an extended period the author spent in Japan. When I discovered a second hand paperback copy of the collection, I was in my early 20s, and had been intrigued by Brautigan’s writing ever since I was seventeen, and my girlfriend handed me a copy of Revenge of the Lawn: Stories 1962-1970 (1972). Named for the date stamped in his passport, Brautigan’s collection of Japanese poems encapsulated some of the best aspects of English-language haiku: a compactness, composing meditations on love, death and nature. The book originally struck me, as much of his work, for its incredible brevity, using simple language in complex ways. June 30 was also my mother’s birthday. Perhaps I took it personally.

Around the same time I encountered Brautigan’s Japanese collection, I discovered the poetry of Stan Rogal, one of the first contemporary poets whose work really jumped out at me, from The Carleton Literary (later ArtsReviewWhite Wall Review and other small Canadian journals. I was seriously (even frustratingly) unpublished, and his was the position I aimed for—a smart, sharp, engaged and published poet—and I quickly ordered his first trade collection once it appeared,Sweet Betsy from Pike (1992). Since then, I’ve followed him through all of his poetry collections, drawn to their quick movement and intelligent depths, and have been fortunate enough to raise more than a couple of pints in his company. I’ve followed him until our paths simply connected yet another time, through his collection of connected haiku, Love’s Not The Way To (Toronto ON: Bookland Press, 2013), subtitled “a suite of poems dedicated to the life and works of Richard Brautigan.

Read the rest here: Stan Rogal’s Brautiganesqe.

Opening Up

From Huffington Post Canada

I am an artist and I suffer from Crohn’s Disease; a gastrointestinal disorder. This has resulted in six abdominal surgeries, as well as, the removal of my colon and part of my small intestine. The disease has caused a lifetime of pain and suffering. Art has provided me with the tools to transform that pain and anguish into beauty and healing. Line and color provide a conduit through which I can reach into the deepest part of myself and share the treasures that lie within.

This has been a war — the life or death battles, the inability to process emotion while trying to simply survive — but it is not the war we see on TV, online or in print. It is a much more familiar war, one that takes place in the human heart as we struggle to find meaning and purpose amidst pain, tragedy and loss.

by Daniel Leighton.

by Daniel Leighton.

This painting is called Opening Up. It represents a moment in time during the process of transformation. The figure in the painting is exposing himself, opening up his wound and finding beauty and treasure where there had once been pain and agony. He is opening himself up now, whereas in the past he had been opened by others. He is still too vulnerable to look at the viewer, so he looks away as he exposes himself. He wears a mask and a full body suit as an added layer of protection, to boost personal power and offset trauma.

I was first hospitalized in the mid ’70s, around the age of five. It was a horrifying experience; both because of the procedures I went through and because of the way they were handled by the people who performed them. I felt dehumanized during this experience, because I always knew that if they saw me on a human level, at the level of their heart, they would have handled things differently. Instead, they taped me up, tied me down, and shoved a tube down my throat, leaving me defenseless and completely vulnerable. This was the first in a relentless series of traumas, physical and emotional, medical and otherwise, which still haunt me today.

Trauma occurs when the amount of emotional energy, which is generated from an event, exceeds the amount that is discharged afterward. As a five year old, I did not know what trauma was or what to do with these feelings. Something inside of me did, though, and it ignited a quest to find a way to process what happened and find peace again.

Read the rest here: Opening Up.

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