The Container is Interactive Theatre at its Activist Best
It’s that good. Here’s why.

Photo by Lauren Posloski.
It’s that good. Here’s why.
Photo by Lauren Posloski.
My review of Jordan Tannahill’s double bill in The Theatre Reader.
Botticelli in the Fire “[tames] political and religious fundamentalism into conquerable myths.”
Sunday in Sodom “is an act of reclamation that lives up to the proportions of the book it comes from.”
Read it here.
Photo by Cylla von Tiedemann.