Trevor Abes: Writer

Heater Girl’s first L.P., Nouveau, is a punk/indie pop adventure hosted by two poets, Darren Hutz and Aaron Florendo, with Stewart Byfield’s joyous ruckus on drums (particularly on “The Archfiend’s Haven”).

Hutz starts things off with “The Love I Was Waiting For,” an enlightening and side-splitting song about what concupiscence can do to one’s worldview. His delivery is clear, tragicomic, and Johnny Cash rich as he declares, “I found my Holy Grail, rubbernecking and chasing tail/ And there’re a few fine arts that I’m mastering/ Grab-assing and finger-blasting in the women’s bathroom.”

Then, a shift in diction. As if in response to Hutz’s libido-driven aspirations, Florendo takes the mic on the heart wrenching “What’s So God Damned Scary About Being Loved For The Rest Of Your Life,” a grungy look at losing his band-mate’s tardy ideal without expecting it.

The two vocalists operate on different wavelengths that intersect and maintain their essential features. Florendo’s verses, constrained by form, offer confessional narratives metaphorically bent, and his raspy tone has a tendency to transpose harmonies, tying them together much like a trombone in a brass band. Meanwhile, Hutz’s preference for explosive riffs and earnest aggression guards an emotional depth his intonations are quick to imply; it’s depth, or the feeling of being young and ahead on mistakes, that runs through Nouveau’s 10 song set.

On “The Archfiend’s Haven” (which opens like an R-rated version of The Lion King), Florendo is poised and contemplative. Over a pointillist battlefield dotted with drumsticks, he describes how “the illusion of endless joy” (as of today a pretty multifaceted commodity) is best applied to someone you can argue with. On “Sleep Is For The Weak,” Hutz argues with himself; whether he wins or not depends more on how he sounds than what he says.

Turning to clairvoyance for a moment, I foresee that some people might call the album disjointed and conclude that what we’re really listening to is a collaboration between two solo artists and a bad ass drummer. Maybe we are. The same people might raise a similar point about Lou Reed and Metallica’s recent effort, Lulu; and while Nouveau isn’t nearly as abstract, the avant-garde is definitely a core value by number of tackled genres alone: punk, pop, rock, grunge, country, indie and an acoustic ballad all find their places on the polycarbonate. Disjointed or not, the album’s alternating structure allows Florendo and Hutz (a great name for a cop drama) to 1) show off their personalities, and 2) embody Wilde’s gem of a notion that you have to be yourself, because everyone else is taken.

Nouveau is available on Itunes and Amazon.

For a lengthy and detailed history of Heater Girl, penned by Florendo himself, please visit www.heatergirl.com

Here they are performing “Aches and Pains,” a fan favorite.