Theatre of the Oppressed: Jordan Tannahill’s Botticelli in the Fire and Sunday in Sodom
My review of Jordan Tannahill’s double bill in The Theatre Reader.
Botticelli in the Fire “[tames] political and religious fundamentalism into conquerable myths.”
Sunday in Sodom “is an act of reclamation that lives up to the proportions of the book it comes from.”
Read it here.
Photo by Cylla von Tiedemann.
Trevor Abes: Writer 