Trevor Abes: Writer

Tag: failure

How To Do the Hard Thing

I’ve honed my approach to difficult situations by a mix of willingly diving into them and running away from them enough to realize I should have just dove in. 

I think it’s a good skill to have, not fearing extremes of feeling, and adopting a curious attitude toward how they mess with your mind. 

This is especially true when you’re young and have to put up with situations and people besides yourself you have no choice but to be in/around to avoid poverty or preserve your independence.

The way I see it, it comes down to fending off your anxieties, limitations, and bs from others for as long as it takes to get yourself to a place where you can choose to do what you want.

Your choices will ideally be ones that don’t trigger your anxieties, allow you to sidestep or comfortably overcome your limitations, and include only people you are compelled and motivated by.

When it comes to anxieties and limitations before you have options, fostering a fondness for yourself, however hard a balm that is for you to apply, is the only thing that can claim any kind of long-term reliability. One way this could manifest is by unlearning what you were raised to think you couldn’t do, then proceeding to try your hand at a multitude of projects tied to these things and failing your way until something sticks. 

You’re probably busy doing that already. The failure here a badge of honor you’re too proud to have to let talking down to yourself become a thing, even though it will occasionally rear its head. 

A big part of the unlearning for me is looking fears and anxieties in their faces and getting comfortable with them as tenants in the borrowed space of my mind as I proceed to do what I want. There’s a difference between running away from something, which implies you should have stayed put, and walking away from something that isn’t for you. The ultimate arbiter of what that difference entails is you.

If you don’t have the option to work in your chosen field, selectivity where possible will help ensure a sustainable work environment: small intimate team instead of having 100 co-workers; customer service or its absence; that kind of thing. This year is my year to be more mindful in this area, as I finally have a little buffer to prioritize my mental health in professional settings instead of taking the job because I need the money.

When it comes to bs from other people, I favour the realization that we were all thrown into this world without a choice and left to make our own sense of it. Make no mistake, my skin wasn’t always thick enough to follow through on opening my mind to the many ways people make life sustainable. I’ve quit on great people and professional prospects on principle because I was uncomfortable with one specific person. It felt right in the moment, but I now feel differently about how much extra time this strategy tacks on to financial independence and being the sole owner of your time.

The sooner you foster empathy for people you vehemently disagree with, the faster you’ll get to a point where you can reliably avoid them. And perhaps only seek out their company to be ideologically prudent and steer clear of echo chambers. Not so much when you resist every instance of discomfort along the way, lengthening your path to living as you see fit. I believe this the most when I let myself see that we’re all acting in our own self-interest while trying to be as nice as we can to everyone that joins us for the ride. Most of the time, it’s better to have been a part of someone’s plan than to have missed the dance completely. 

The Band Has Gears: Atom and the Volumes – EP


Atom and the VolumesToronto’s Atom and the Volumes’ self-titled EP comes across as built around the idea that the best music feels just like closing your eyes and dancing. The band could be the spawn of Wilco and Failure, a cocktail of raw emotion, storytelling and unexpected flourishes.

“Pointed Pins” is a brooding garage anthem topped with 80’s glam metal flare. The fuzzy, whirling guitars lend the pop-sensible chorus an edge like bacon on maple. “Lick Your Tears,” about a corroding relationship, has the slowest tempo on the album and is at least twice as angsty; the short wah-wah riff that reappears throughout the song evolves into a  comment on the dangers of repression. The playing thickens at about the two and a half minute mark, becoming stronger than the sum of its parts, and you’re liable to be blanketed in sound.

“Boardwalk,” sultry and distant, floats along on an almost country-western twang from both strings and singer. Any Toronto flâneurs looking for a soundtrack best have a listen.

“To The Beat” typifies something to look forward to on future Atom and The Volumes releases: the band has gears. Mellow groove can morph into full-on jam session at the hiss of a cymbal. 

The outro’s called “Ultimate Power Question” and its suggestion about what fuels human progress and creativity will have you paying close attention to your hips.

Get the full scoop here: Atom + the Volumes.

 

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